Danish film “The Guilty” gets Hollywood treatment with Jake Gyllenhaal

(Photograph credit: Nordisk Film Distribution)

Danish film “The Guilty” gets Hollywood treatment, as filmiere.com informed you before but this is the week of Jake Gyllenhaal’s news and it’s confirmed that he’s going to star in it with Antoine Fuqua directing.

It’s an unusual choice because Fuqua, who previously worked with Gyllenhaal on “Southpaw”, is better known for more action-driven films. So if this would turn out more like Brad Anderson’s “The Call” rather than the original Danish version, it won’t be so surprising.

Still, it’s better to wait and see before commenting. It takes place over the course of a single morning in a 911 dispatch call center. Call operator Joe Bayler (Gyllenhaal) tries to save a caller in grave danger—but he soon discovers that nothing is as it seems, and facing the truth is the only way out.

Bold Films is financing the drama with Amet Entertainment. Scripted by True Detective creator Nic Pizzolatto, the film will be produced by Gyllenhaal and his Nine Stories partner Riva Marker, along with Fuqua through his Fuqua Films, Scott Greenberg, Michel Litvak, Gary Michael Walters, David Litvak, and Svetlana Metkina for Bold Films and Amet’s David Haring. Annie Marter, Gustav Moller, and Lina Flint will be exec producers with Christian Mercuri and Jon Oakes.

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Confirmed: Madonna to direct her own biopic

(Photograph credit: MGM)


Filmiere.com reported the rumors around that Madonna is going to direct her own biopic which is very interesting, to say the least. While Madonna’s previous directorial efforts didn’t pay off, it’s very unusual and almost exciting to see an artist to take on her own life.

Universal will handle the project and it has nothing to do with the previously black-listed Madonna biopic as she made it clear on her Instagram that she won’t let anyone else use her music to tell her story without her involvement.

“I want to convey the incredible journey that life has taken me on as an artist, a musician, a dancer – a human being, trying to make her way in this world,” said Madonna.  “The focus of this film will always be music.  Music has kept me going and art has kept me alive.

There are so many untold and inspiring stories and who better to tell it than me.  It’s essential to share the roller coaster ride of my life with my voice and vision.” She added. Madonna will direct the project and is co-writing the script with Oscar winner Diablo Cody (Juno, Tully).

Three-time Oscar nominee Amy Pascal (Little Women, The Post), will produce for her Universal-based Pascal Pictures alongside Madonna.  Sara Zambreno and Guy Oseary will executive produce.

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Denis Villeneuve and Jake Gyllenhaal to collaborate again?

(photograph credit: Eric Charbonneau/REX/Shutterstock/Variety)

 He’s one of the most exciting directors around and the other one is one of the most talented actors of their generation. Canadian filmmaker Denis Villeneuve has collaborated with American actor Jake Gyllenhaal on two much respected and loved films in “Prisoners” and “Enemy”, both 2013 releases.

Since then they never collaborated again even though at that time it seemed like they can be a good director-actor collaborator for other projects. Filmiere.com reports that it’s not for lack of trying. They’ve tried to make “The Son” coming to screen a few years ago but there had been no news since then.

But Gyllenhaal confirms on this week’s “Team Deakins” podcast that he’s currently working on a new project with Villeneuve. “That’s very rare…Denis, to this day, there is something we are working on now and he just writes me, ‘I can’t wait to work with you again.’ And I feel the same way.

There are these people you find in your life where you just have these connections. That began that connection.” Gyllenhaal said. Is it “The Son” or anything else? We don’t know yet, but we’ll keep you updated.

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Filmmaking in the Age of a Pandemic

COVID-19 Pandemic affected every aspect of life. Closed restaurants, bars, clubs, and other entertainment venues such as movie theaters and playhouses became the norm around the world. With most countries allowing only what was deemed as “essential” businesses to remain open with tight restrictions, television and film production came to a halt.

Bollywood and Hollywood, names that signify the giants of movie, television, and media production closed. This closure left 100’s of thousands of actors, producers, directors, technicians, musicians, writers, graphic designers, and others associated with the industry unemployed. Some within the industry were still able to work on preparing future projects by working from home, however, for the most part, television and movies faded to black.

As world health experts tackled the pandemic, safety protocols were announced that led to the gradual re-opening of businesses. Each industry had to re-evaluate how they would conduct business in the age of COVID-19. Bollywood and Hollywood were no exception.

High budget films with scheduled theater release dates had to reschedule, some already multiple times. Others such as Old Guard, a blockbuster major motion picture ready for release in theaters at the beginning of the pandemic, opted for other outlets such as live streaming on Netflix. Although Hollywood and Bollywood are terms used to encompass the giants of the industry, under the umbrella of those terms, are thousands of individual film, video, and media projects. These include some of the world’s largest production companies, highest-paid actors, directors, producers, and professionals, it also includes thousands of independent filmmakers looking for their opportunity to be recognized within the industry.

While Bollywood and Hollywood include production companies with massive financial reserves, even their budgets were drastically affected by months of inactivity. For many independent filmmakers, financing is always a problem. During the shutdown most independent filmmakers were able to preserve their budgets because unlike the major players, they do not have to maintain the expenses of overhead while waiting to film. The flip side of this coin is that when production begins again independent filmmakers may not be able to pay for new health protocols for cast, crew, and location usage.

Hollywood and Bollywood spent the shutdown time preparing for a new normal that will include COVID-19 testing for cast and crew, sanitizing equipment, sets, and locations along with budgeting for unexpected delays caused by positive tests for the virus among leading characters.

Filming Delayed by COVID-19 Talent

As Hollywood and Bollywood begin to film again under the precautions and guidance issued by world health organizations, they are coming face to face with the new reality that will affect their sets and budgets.  One of the first major films to hit the restart button was The Batman, directed by Matt Reeves. Just days after the set was reopened to film the newest epic for the Batman franchise, lead actor Robert Pattinson tested positive for COVID -19. After waiting for over 5 months to begin shooting what is sure to be a Hollywood blockbuster, the set was closed. This will undoubtedly affect the budget of this film project as the delay means that the product will be on the hook for salaries of cast and crew while a determination is made as to when shooting can begin again.

For a large production company with a budget of over $100 Million, a shut down is a financial inconvenience, however, it is not a deal-breaker. Unlike the deep pockets of major studios, a shut down like this could break the bank and end the project for an independent filmmaker. Caution and planning are watchwords of the day for any independent video and filmmakers who are anxious to follow Hollywood and Bollywood into the world of filming during a pandemic.

Testing New Film Making Methods Proves Successful

Bollywood producers and directors are preparing to start filmmaking again with new protocols, ideas, and methods in place. India’s The Gone Game starring Shweta Tripathi and Sanjay Kapoor was shot entirely at home. With cast and crew coordinating by phone, document sharing, and online chat they could only complete about 3 minutes per day, but they were successful in completing the project. The Gone Game is an example of the new normal for large production companies and could serve as a blueprint for independent film, video, and television makers. Head of Voot Select, Viacom18, Farzad Palia said that they realized early in the pandemic that it may provide them a chance to be first in a new process of filming in isolation. Each of the actors, cast, crew, directors all participated in the project from their own homes or locations.  They completed this four-episode series under the restrictions imposed on their craft by the pandemic.

Independent filmmakers can coordinate in the same way to complete or begin their projects by becoming Members of Filmiere. This combination social media/classified platform dedicated to film making was unveiled just as the pandemic was taking hold, it could not have come at a better time for those engaged in independent film production. Members include filmmakers, directors, producers, writers, actors, editors, musicians, and all the professionals associated with video, media, and film production. With The Gone Game forging a new path in collaborative film making from isolation, Filmiere offers the same opportunity to enlist and work with a cast and crew online for the independent filmmakers and associated professions.

Of course, the new normal requires a new vision, Bollywood may not be able to produce musical scenes featuring hundreds of dancers, and Hollywood may not be able to produce large action battle scenes right now, but they will quickly figure it out.  Using green screens, the new amazingly realistic computer animation and editing techniques, technicians, special effects masters, and editors will become the new stars of post-COVIDD-19 film and television production.

The Newest Department on the Film Set

New ideas, new methods, new precautions will all be a part of the post-pandemic world in everyday life as well as on film, television, and media production studios. Some of the behind the scenes professionals who have always been integral in the magic of film making will rise through the ranks to be the most sought after and catered to within the industry.

Always a major part of every film and television production that lurks behind the scenes is the amazingly talented makeup artists. In a post-pandemic new normal, the makeup department may have to take on a new role or incorporate a new department within their duties. Personal Protection Equipment (PPE) will become a significant part of all post-COVID-19 productions. Whether it is incorporated under the talented makeup departments or developed into a new department, it will be essential to the new normal of filmmaking.

Independent filmmakers should be aware and adjust budgets to accommodate the need for PPE personnel on your first post-COVID-19 production. The temptation to start shooting is pulling on everyone’s creative soul, it should not be done without proper planning, protections, and health protocols in place. Even in the post-pandemic new world order, it can be lights, camera, action, guided by new ideas, new visions, and most of all safety in place.

Written by Daniel Dachille

The Venice Film Festival

The Venice Film Festival was founded in 1932 as part of the larger Venice Biennale, one of the world’s largest art exhibitions. Under the umbrella of the Venice Biennale are separate exhibitions for international art, architecture, dance, music, theatre, and cinema. Events sponsored by Venice Biennale include, the International Art Exhibit, the International Architecture Exhibition, the International Festival of Contemporary Dance, the International Festival of Contemporary Music, the International Theatre Festival, and its most famous exhibition International Exhibition of Cinematographic Art of the Venice Biennale, commonly referred to as the Venice Film Festival.

The Venice Film Festival is held annually in late August and early September on the island of the Lido in Venice Lagoon. In a normal year, the attendance tops 100,000. It is estimated that half of the attendees are film professionals from various fields within the world of cinema.

Thousands of entries are whittled down by the judges to be presented on the premier screens of this international event. Its prizes are prizes awarded by the juries composed of industry professionals. Along with Cannes, Sundance, Toronto, and Berlin Film Festivals, winners of the Venice Film Festival are often thought to be on the fast track to the Oscars.

The Venice Film Festival has been dominated by American films since its inception. The first film screened at the Venice Film Festival in 1932 was the American made Dr. Jekyll and Mr. Hyde directed and produced by Rouben Mamoulian for Paramount Pictures. Dr. Jekyll and Mr. Hyde won Audience Referendum at the first-ever Venice Film Festival for Most Favorite Actor, Fredric March along with Most Original Fantasy Story, Rouben Mamoulian. At the 1932 Academy Awards, Fredric March shared the Oscar with Wallace Beery for The Champ in a tie for Best Actor in a Leading Role.

A New First for the Venice Film Festival

The 2020 Venice Film Festival will add a new first to its historical run as the first major industry event to be held in the COVID-19 Pandemic Era. Owing to the shutdown of major motion picture studios around the world caused by the pandemic, American Films did not dominate the screens of the 2020 Venice Film Festival.

There were still plenty of entries to fill the 66 screens of the two-week 2020 Venice Film Festival which ran from September 2 – 12, 2020. Although the coronavirus pandemic has hit the film industry hard shutting down sets around the world, it may have provided unforeseen opportunities for some filmmakers at the Venice Film Festival. More women and international filmmakers were featured on the coveted screens of the Venice Film Festival than in recent years.

Best Film of the Venice Film Festival 2020

The Golden Lion Award for Best Film of 2020 went to Nomadland directed by Chloe Zhao. It is the first film directed by a woman to capture the Venice Film Festival top prize since 2010 when Sofia Coppola took it home for her film, Somewhere. Nomadland, an American Drama distributed by Searchlight Pictures was simultaneously entered at the Venice, Telluride, and Toronto festivals. It has an official release date of December 4, 2020.

Nomadland is a screen adaptation of a 2017 non-fiction book by Jessica Bruder, Nomadland: Surviving America in the Twenty-First Century.

Along with directing the film Chloé Zhao, also wrote, edited, and co-produced this stark look at America’s current nomads. The film stars Frances McDormand, David Strathairn, Linda May, Charlene Swankie, Bob Wells along with a cast that leans heavily on actual “nomads”, giving this film a unique authenticity.

The competition jury that awarded Nomadland the Golden Lion was headed by Cate Blanchett. It included actors Matt Dillon and Ludivine Sagnier, writer-directors Veronika Franz, Joanna Hogg, and Christian Petzold, and writer Nicola Lagioia.

The second-place award went to Mexican director Michel Franco for his film Nuevo Orden (New Order).  This Spanish language film stars Naian Gonzalez Norvind, Diego Boneta, Mónica Del Carmen, Fernando Cuautla, Darío Yazbek Bernal, and Eligio Meléndez. It is summarized as a Mexican French art dystopian thriller. It was written, directed, produced, and edited by Michel Franco. Nuevo Orden (New Order) premiered at Venice and Toronto simultaneously.

The Winners List for the 2020 Venice Film Festival

Here is a full list of winners at Venice Film Festival 2020:

  • GOLDEN LION: Nomadland, Chloé Zhao
  • SILVER LION – GRAND JURY PRIZE: New Order, Michel Franco
  • SILVER LION – AWARD FOR BEST DIRECTOR: Kiyoshi Kurosawa, Wife of a Spy
  • SPECIAL JURY PRIZE: Dear Comrades! Andrei Konchalovsky
  • AWARD FOR BEST SCREENPLAY: Chaitanya Tamhane, The Disciple
  • COPPA VOLPI for Best Actress: Vanessa Kirby, Pieces of a Woman
  • COPPA VOLPI for Best Actor: Pierfrancesco Favino, Padrenostro
  • MARCELLO MASTROIANNI AWARD for Best Young Actor or Actress: Rouhollah Zamani, Sun Children
  • ORIZZONTI AWARD FOR BEST FILM: The Wasteland, Ahmad Bahrami
  • ORIZZONTI AWARD FOR BEST DIRECTOR: Lav Diaz, Genus Pan
  • SPECIAL ORIZZONTI JURY PRIZE: Listen, Ana Rocha de Sousa
  • ORIZZONTI AWARD FOR BEST SCREENPLAY: Pietro Castellitto, I Predatori
  • ORIZZONTI AWARD FOR BEST ACTRESS: Khansa Batma, Zanka Contact
  • ORIZZONTI AWARD FOR BEST ACTOR: Yahya Mahayni, The Man Who Sold His Skin
  • ORIZZONTI AWARD FOR BEST SHORT FILM: Entre Tu Y Milagros, Mariana Saffon
  • VENICE SHORT FILM NOMINATION FOR THE EUROPEAN FILM AWARDS 2020: The Shift, Laura Carreira
  • VENICE AWARD FOR A DEBUT FILM: Listen, Ana Rocha de Sousa
  • GRAND JURY PRIZE FOR BEST VR IMMERSIVE WORK: The Hangman at Home, Michelle, and Uri Kranot
  • BEST VR IMMERSIVE USER EXPERIENCE: Finding Pandora X, Kiira Benzing
  • BEST VR IMMERSIVE STORY: Killing A Superstar, Fan Fan

The 2020 Venice Film Festival Paves the Way

The 2020 Venice Film Festival, the first major cinematic event to be held in the age of the pandemic shows the world that filmmaking will comeback. While many other film festivals canceled or became totally virtual events, the 2020 Venice Film Festival planned and continued its history.

Strictly enforced social distancing, smaller crowds, and sanitary protocols were the order of the day. Tickets and reservations were done online avoiding unnecessary lines and crowds. Although seats were limited due to in theater social distancing, they were easier to obtain than normal because of the diminished attendance.

The 2020 Venice Film Festival paves the way for other events in cinema to continue by using their model of precautions and following health procedure guidance. For filmmakers, Venice should ignite their interests in returning to a new normal in production. Limiting cast and crew, sanitary protocols, testing, and following guidelines should allow production to begin again.

The adversity of the pandemic may be an opportunity for the independent filmmaker. As more film festivals go virtual and with big-name production companies still shuttered, submitting to, and being accepted to world film festivals in the COVID-19 era may be an independent filmmaker’s best opportunity to get screen time.

Written by Daniel Dachille

Paul Schrader almost finished his new movie.

(Photograph credit: Focus)

It’s been a hell of a challenging year for Paul Schrader who was out there in Mississippi making a film with Oscar Isaac, Tiffany Haddish, Tye Sheridan and his frequent collaborator Willem Dafoe called “The Card Counter” but the filming had to stop due to COVID-19.

However, only five days remained for him to finish. He was angry then but he’s calmed down right now.

Filmiere.com reports based on his interview to Los Angeles Times that Schrader is happy that he actually had a time off, it helped him to rewrite four scenes for the better, he convinced Oscar Isaac to shave off his “Dune” beard for the role and how some of his friends including the executive producer of the film Martin Scorsese has guided him to finish those remained scenes.

The film is almost ready, now only special effects and score left mostly and he says he’s ready to give the film in a month but since the studio doesn’t know what to do with, they gave Schrader enough of time to do whatever he wants.

After rather pulpy films like “The Canyons” and “Dog Eat Dog”, Schrader went back to his arthouse roots with recent “First Reformed” and hopefully “Card Counter” will be on the same league.

Credit: Mensur Zeinal

Netflix going strong with acquiring “Pieces of Woman” and releasing trailer for “Chicago 7”

(Photograph credit: Netflix)

Due to the pandemic of COVID-19, many films were postponed but Netflix used this chance very well and kept releasing their films back to back and they still do so. It’s hard to realize which film will be their main horse at the award season but they keep releasing exciting stuff.

“As a European filmmaker, I couldn’t be more excited and appreciative of finding my home for this film with Netflix. Their taste in independent cinema feels like the United Artists of the 1970s. The true champions of filmmakers and original voices for today,” Kornel Mundruczó said in a statement since Netflix acquired “Pieces of a Woman”.

Its star Vanessa Kirby took the Best Actress Volpi Cup at the Saturday awards ceremony for this year’s Venice Film Festival. Another release is Aaron Sorkin’s much anticipated new film “Trial of Chicago 7” starring an ensemble cast.

Timely subject and now we have a trailer for it also. Speaking of timely subjects, “Da 5 Bloods” was one of the most acclaimed films of the year and “Mank” is also on the horizon with a possible October release. So, yes, many films are postponed. European cinema is slow, American cinema is postponed, but at least Netflix delivers.

Credit: Mensur Zeinal

“Candyman” moved to 2021

(Photograph credit: Universal Pictures)

“We made CANDYMAN to be seen in theaters. Not just for the spectacle but because the film is about community and stories–how they shape each other, how they shape us. It’s about the collective experience of trauma and joy, suffering and triumph, and the stories we tell around it.”

That’s what Nia DaCosta, director of the new reboot of “Candyman” reported on Twitter which was supposed to be released in September already, reports filmiere.com.

Co-written and produced by Jordan Peele, it was put its quality into question when it was suddenly decided to go the VOD route but now that they want to be back in theatres, it seems the distributor has faith in the movie but just waits for the right time.

The original 1992 version is a cult classic with Virginia Madsen and Tony Todd who’s expected to reprise his role. Filmiere.com will keep inform you about the new details surrounding the release of this movie and others.

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Venice Film Festival ended with Golden Lion going to “Nomadland”.

(Photograph credit: Fox Searchlight)

Kudos to Venice Film Festival for all things considered pulling off a great festival with a lot of acclaimed films with no screening or place problems. The event basically proved that it’s possible to have a film festival regardless of the current pandemic. Cate Blanchett and her team of juries announced winners as well.

Golden Lion went to Chloe Zhao’s much-acclaimed “Nomadland”, as was evident from the raves from critics and also festival leader Alberto Barbera’s own admiration for the movie. Michel Franco won the Grand Jury Prize and it was expected that British actress Vanessa Kirby won the actress prize for “Pieces of Woman”.

With a good campaign, her finally being an Oscar nominee is not out of question. Russian auteur Andrei Konchalovsky also makes a comeback to festivals with his win. Filmiere.com presents a full list of winners of the main competition:

Golden Lion: “Nomadland,” Chloe Zhao

Grand Jury Prize: “New Order,” Michel Franco

Silver Lion for Best Director: Kiyoshi Kurosawa, “Wife of a Spy”

Best Actress: Vanessa Kirby, “Pieces of a Woman”

Best Actor: Pierfrancesco Favino, “Padrenostro”

Best Screenplay: “The Disciple,” Chaitanya Tamhane

Special Jury Prize: “Dear Comrades,” Andrei Konchalovsky

Marcello Mastroianni Award for Best Young Actor: Rouhollah Zamani, “Sun Children”

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“Parasite” leads Asian Film Awards (as expected)

(Photograph credit: Neon)

Bong Joon-ho’s much-acclaimed “Parasite” leads the race of this year’s Asian Film Awards, which will be hosted in his home country South Korea for the first time since 2007, reports Filmiere.com. The Oscar-winning drama picked up 10 nominations, including best film, best director, and best screenplay.

Wang Xiaoshuai’s drama “So Long, My Son” from mainland China, and Taiwan drama “A Sun” by Chung Mong-hong were not far behind They each scored seven nominations including best film and best director, organizers of the 14th Asian Film Awards announced on Wednesday.

A total of 39 films from 11 countries and regions are competing for the awards. Anubhav Sinha directed Indian film “Thappad” and Golden Bear-winning Iranian drama “There Is No Evil” are among Best Film nominees. The 14th Asian Film Awards will be the 2020 edition of the Asian Film Awards.

Given the COVID-19 pandemic, the ceremony will be held online on October 14.

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